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The best mastering level for streaming is an integrated -14 LUFS, as it best fits the loudness normalization settings of the majority of streaming services. Although other measurements like the true peak value and other metrics need to be considered, -14 LUFS is the best mastering level when considering loudness.

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Det ska bli Note that the original LUFS value is the whole track while the Spotify measurement is made from just the You can read more about that here: Why -14 LUFS isn't the right target for online loudness. * Why Ian Kerr decided to make plugins that won't change your audio - but will make it sound better.

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Loudness units (LU) is an additional unit used in EBU R128. It describes Lk without direct absolute reference and therefore describes loudness level differences. LKFS is standardized in ITU-R BS.1770. The URL of the media file should have an average loudness of -16 LUFS (Loudness Units Full Scale) for stereo, or -19 LUFS if the content is mono. Amazon From the Amazon Alexa docs page on Even if your track hits the overall LUFS target, there still might be some sections that are too loud or too quiet. Short term LUFS gives you perceived loudness over the last three seconds three seconds of audio. Momentary LUFS.

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The numbers change very fast during playback.

When this box is unchecked (the default), Loudness Normalization will work on the channels of a stereo track as a pair and change the level of both channels by the same amount.
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If you don’t yet own a LUFS meter, remember to pay attention to your RMS readings. If your dBFS peak levels go higher than -3dB, you might be in trouble. As a rule of thumb, RMS readings around -18dBFS and -14dBFS should be OK. A special treat – your own LUFS …

Short-Term LUFS measures the average loudness but only looks at a 3 second window, so it will more closely follow the dynamics of a mix as it plays. Momentary LUFS is a very fast measurement that is somewhat explanatory in name in that it displays the loudness in real-time as the song or material plays. The numbers change very fast during playback.

LANDR has been around for a while now and I finally tried out it's AI mastering My master is a little louder then -14 LUFS and should technically have a lower

If not, your track will be very quiet. A track mastered loud and turned down to -14 by spotify does not sound the same as one that was mastered to -14 from the start So if you play your track from start to finish while metering, the LUFS value at the end will be the average volume of your whole track. Integrated LUFS is most commonly used when comparing tracks. You might hear that Skrillex masters at -4 LUFS, so you might try to aim for your tracks to be -4 across the entirety of your music. In my view, this started with the language we’ve been using to talk about normalization, particularly one word: “target.” Time and time again I’ve heard people mention a “normalization target,” usually with the accompanying value of -14 LUFS. But think about what a target is.

Dynamic range.